Nick Carraway is closer to Gatsby than an impersonal narrator would be, yet the fact that Nick narrates Gatsby’s story, rather than Gatsby telling his own story, nevertheless provides Nick with some detachment, as well as a degree of innocence and ignorance over Gatsby’s identity and past. Gatsby’s parties may be a mere front, a way of coping with Daisy’s previous rejection of him and of trying to win her back, but Fitzgerald – and his sympathetic narrator, Nick Carraway – do not ridicule Gatsby’s behaviour as wholly shallow or vacuous.įitzgerald’s choice to have a first-person narrator, rather than a more detached and impersonal ‘omniscient’ third-person narrator, is also significant. One reason The Great Gatsby continues to invite close analysis is the clever way Fitzgerald casts his novel as neither out-and-out criticism of Jazz Age ‘values’ nor as an unequivocal endorsement of them.
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